Our film festival embodies that spirit of filmmaking, the continuous effort to push the boundaries of the accepted norm and the never-ending struggle to evolve the medium. At the core of our film festival lies the firm belief in democratising art. It is that belief in the decentralised structure of art and its dissemination which materialized itself in the form of this film festival. Yael Melamede is the co-founder of SALTY Features – an independent production company based in NYC whose goal is to create media that is provocative, entertaining and enhances the world. SALTY’s previous film and Melamede’s directorial debut “Honesty – The Truth About Lies” was released to great critical acclaim in May 2015.
As a major contributor to the film From North to South, Arne Dunker has several years of experience in curating thought-provoking and interactive exhibitions on climate change and its devastating impacts on communities across the world. In late July this year, as the world revealed a “new normal,” a small group of us at NYU Abu Dhabi decided to conduct a social experiment to tell a different story. This may not be the full story; still, it feels like an important one. The Social Experiment is a photography project chronicling the spectacle of everyday strife and everyday happiness for beyond the curve international film festival migrant workers in the Gulf. These are people we see around us—careening down the “new normal” despite the train-wreck hitting them in the face—who deserve their own voice. Through a collection of spur-of-the-moment photographs, this visual journal opens a window into the lives of nannies, chefs, drivers, café workers, house cleaners, beyond their predictable, “global Cinderella” impressions. Alwatban’s passion for videography, along with his innate ability for storytelling, encouraged him to study media production and public relations and to earn a minor in film and video studies.
- Having expressed my admiration for Venice 66, I must add that I have seen the most extraordinary fusion imaginable of art and film in Peter Greenaway’s The Wedding At Cana ongoing project that will eventually illuminate nine great paintings, a surprise screening that I saw twice.
- Together, they represent the largest outpouring of talent to come from the isles since the Australian New Wave of the late ’70s.
- In this film, he talks to his son about some of the things he’s been through and what he’s doing to try to make the world a better place.
- It reminded me of those old Budweiser Dry commercials, when a plaintive voiceover asked, “Why are foreign films so… foreign?
- Located half-way between Los Angeles and San Francisco, San Luis Obispo’s laid-back vibe and serene natural beauty is the perfect setting for this highly regarded annual film celebration.
Each film will be watched by at least two different panels of judges. You can track the watches on Vimeo tracker if you are using Vimeo. However, we’ve had cases in which watches weren’t recorded correctly, including for some of the films which were accepted. Beyond the Curve International Film Festival proudly accepts entries on FilmFreeway, the world’s #1 way to enter film festivals and creative contests.
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Each evening of the festival there was be a panel discussion centered on one or more of the films of that day . The festival will primarily be a virtual presentation, following the success of last year’s edition in the virtual space. However, SLO Film Fest’s signature Surf Nite event will be held at the Sunset Drive-in , marking the first in-person event for the film festival since March 2019. One thing I have noticed since First Signal started on the festival circuit was what festivals do for marketing and promotion. Some just don’t notify filmmakers through Film Freeway, they actively promote official selections and award winners on numerous social media channels, their websites and newsletters.
Unlike some high-profile American festivals who shall go nameless—they rhyme with “Funpants” and “My Schlecka”—the New York Film Festival takes its adult attendees’ seriousness about, um, film, pretty much for granted. There’s blessed little sophomoric reassurance and sloganeering—no buttons admonishing us to “Focus on Film,” no eye-rolling plays on “reel” or “take,” no egregious sprocket-hole imagery. Just beginning his career, the young American filmmaker Aaron Woolfolk brought his debut feature The Harimaya Bridge to HIFF, where it made its North American premiere. Woolfolk used his experiences as an English-language teacher in Japan for this soft-spoken, graceful film, which follows an older African American man as he travels there to unravel the mysteries of his son’s death.
This year’s film lineup will feature 111 presentations, including 30 feature films , 63 short films, and 18 music videos. Our filmMazel, conceived, directed, and edited by band member Jay Miles, is an official selection of numerous film festivals and was recently awarded Best Music Video by the LA Sun Film Fest. Top Basque chef Andoni Luis Aduriz, Basque choreographer Jon Maya and creative producer Pablo Iraburu of Pamplona media company Arena Comunicación are joining forces to create a feature documentary exploring cookery, cinema, dance and music. If Pleasures takes it cues from Rivette or Eustache, Sean Baker’s Prince of Broadway takes its own from the street-level immediacy of the Dardennes Brothers and the baroquely verbalized New York City landscapes of Taxi Driver-era Martin Scorcese. Following a Ghanian immigrant-turned-Garment District-hustler as he deals with knock-off sneakers, uncertain customers, random hoodlums, and a little boy who may or may not be his son, Prince of Broadway captures the movements, aesthetics, and verbiage of life in one substrata of New York City, circa 2008, with utter precision.
While literally worlds apart, both films are fueled with this poetry of loss; filled with ruins, landscapes or individuals seemingly caught between collapsing or rising, each embrace the unfinished, the unpolished. It’s a type of cinema that, like IndieLisboa, and this city, rewards those who linger, and revel in the unknown. Like his purse-snatching, ever-drifting heroine, Safdie knows that success is in sleight-of-hand and constant motion, and so his vision of cinema is filled with magic and retained earnings balance sheet movement, of fragile, seemingly spontaneous moments that surprise at every turn. The film’s 16mm images lend it a warmth and texture missing in digital video, while its structure is as deceivingly simple as the Thelonius Monk tune that frames its soundtrack. It’s no surprise that The Pleasure of Being Robbed was chosen for Cannes; this sweet-natured ramble invokes Celine and Julie, Rivette and Eustache, and others for whom cinema, like making polar bears appear in Central Park, is magic.
Percent of women naturally posses the body type often portrayed in the media. Jessica recently became a board certified health coach and has contributed articles in Cosmopolitan, Italian Vogue, The Huffington Post among many others on the topic of body image initiatives and campaigns. She is also a board member at the prestigious Fashion Group International Toronto . Using a teenage love affair for the structure, Morning tackles not only the island’s current political issues of racial unrest, unemployment and economic collapse, but also more psychological issues like depression and family communication. Part island tragedy and part youth documentary, Morning also succeeds as a portrait of teenage life on the Marshall Islands with its everyday rhythms and ordinary sights, while its spoken dialogue of Marshallese, English slang and Chinese serves as a virtual mirror to the area’s polyglot nature.
Doolan, like fellow Aussie and Kiwi short filmmakers like David Michod , Rene Hernandez , Katie Wolfe and Julius Avery brings a keen sense of youthful melancholy and an accomplished visual style to tales of the disappointments and dangers of childhood. Together, they represent the largest outpouring of talent to come from the isles since the Australian New Wave of the late ’70s. While it’s tough to lump these filmmakers together because of the breadth of the work, they all are making formally challenging and very dark films, many of which center on the disappointments and dangers of Aussie and Kiwi working class life. One such film is Luke Doolan’s Miracle Fish , a searing and mysterious Australian short about a school shooting that bowed at Sundance this year and was perhaps the most well-received film in Aspen. Doolan focuses on a troubled child, delivered to school late by his irresponsible mother, made fun of by his unforgiving classmates for his mother’s welfare status, who feels ill and takes a nap in his elementary school infirmary. When he wakes up, he discovers that everyone in his school has vanished.
By weaving Rodney’s present-day mission with the story of his past, both deeply rooted in issues of social and environmental injustice, the film reminds us that nature heals. An amazing first film from Xuan Liu, BLOOM is a richly layered, poetic love story that takes place in late 1990s Beijing. Uniquely told through conversations between Mu Ke and his younger self, it weaves together memories, disillusions and hope. Gorgeous cinematography and superb acting help elevate this film into the realm of great art. Eddie Izzard and Judi Dench star in this brand new film directed by Andy Goddard . In the summer of 1939, influential families in Nazi Germany sent their daughters to a finishing school in an English seaside town, run by a strict but humane head mistress , to learn the language and be ambassadors for the future Nazi state. Eddie Izzard who also co-wrote and produced, plays a new teacher who tries to raise the alarm.
It is a heart-warming tribute to the unifying power of volunteerism, and an exploration of a perennial outsider’s search for meaning through selflessness and deep compassion. Indigenous Canadian filmmaker Loretta Todd has done justice to Eden Robinson’s novel about a complex family story of love, loyalty and spiritual beliefs. Filmed on the coast of British Columbia in the Haisla Nation in Kitamaat, Lisa Hill returns from Vancouver to her family home after visions warn that her brother is in danger. Straight from a World Premiere at Sundance, this charming film from Argentina follows Sebastian, a man in his thirties, who works a series of temporary jobs as he deals with life’s curve balls. From its start in 1990, Curve magazine was a visionary and unapologetic celebration of lesbian life from cover to cover. What I am, is happy to have provided a forum for flat-earthers to be heard, though. If they’re right, maybe I’ll get a free pass into flat heaven when my time on round earth is done.
A Documentary About Body Image And The Industry Leaders Challenging Society’s Unrealistic And Dangerous Standards Of Beauty
One of the few films at the Festival without a reliable agenda, and one of the very, very few to express itself through rhythm. I was enchanted by the movie-movieness, the assured fusion of color, sound, composition, and performance.
Jessica Lewis is a model and body image expert with a strong focus on women and the media. A Toronto native, she began straight modeling at the age of 15 and was soon shooting for major worldwide publications including Italian Vogue, W and Elle and walking runways around the world for designers including Alexander Wang and Burberry. In 2011, after 10 years working both high end and commercial fashion around the world, Jessica took a break and came back as a plus-size model. Jenny is an Associate Producer on “The World Cup Project”, a TV documentary series about 11 countries around the world that use soccer for social change. She directed and edited three episodes of the series including “Laces”, set in Liberia, that won Best Documentary Short at the NYLA International Film Festival in 2015, and was an Official Selection at The Lighthouse International Film Festival. She co-directed the feature length documentary “Power of Play” also set in Liberia.
Athens International Monthly Art Film Festival
On screen in the 95-minute documentary is an Ask Hickey post in which I took a reader’s question – “Did you talk to the flat-earthers about the upcoming eclipse? Such coverage tends, too, to draw the attention of documentary filmmakers working on a story about that conspiracy theory. Behind the Curve was first released at Hot Docs Canadian International Documentary Festival, Toronto, Canada, on April 30, 2018. It has since been screened at various film festivals around the world. Professionals in the scientific community, including astronaut Scott Kelly, are What is bookkeeping interviewed about their views on the flat Earth conspiracy theory, and to discuss the current scientific views on conspiracy theories and the possible consequences of a lack of critical thinking in society. The documentary details ideas of the flat Earth from different perspectives, including prominent flat-Earthers Mark Sargent and Patricia Steere, as well as astrophysicists from universities including UCLA and Caltech. It features clips from the 2017 International Flat Earth Conference, held in North Carolina, US, which attracted hundreds of attendees.
Special Awards 2021:
If you think you fit the above-mentioned portfolio and want to create films for the sake of art and only for the sake of art, we welcome you to join us. Our idea of cinema revolves around the key concepts of innovation and pushing the boundaries of the ‘accepted’ norm. That is why artists are called canneries in the proverbial mine called ‘Society’. No Art form challenges the status quo like the art of film making.
Tiff 2021 Review: the Mad Womens Ball Features Good Performances, But Ultimately Feels Like Something Is Missing
The madness of America as millions forget history; degrade science, life and death. We, the dance community, have had to reinvent how we work and how we are able to communicate our work during 2020. Someday we all will be able to recognize the dance pieces created during the pandemic, conceived for the camera, performed by a few dancers, innervated by a sense of instability. Between “River Rocks and Sand” is not just about the landscape, being between the river and the ocean, but also it is a mindscape of our times. Along with the record, the project included music videos, previews, and behind the scenes interviews. The production of this involved no film crew outside of me and a camera.
It reminded me of those old Budweiser Dry commercials, when a plaintive voiceover asked, “Why are foreign films so… foreign? ” There are no easy answers and not every storyline is paid off. It’s told from the point-of-view of three brothers, and the film is at its best when focused on Henrik, a madman/artist who’s had insomnia since losing his beloved TV, and finds an ingenious method to recreate the viewing experience. One form of communication will be replaced by another, Vranik seems to say; if the projector had shut off and the film had stopped in the last reel, I wouldn’t have been the least bit surprised. The filmmakers talked at length about the challenges of making the film, set inside the Israeli city of Jaffa, at a Talking Pictures seminar on Sunday morning.
The second time I focus on just the story to grasp the message. But it’s the third time, with captions on, that I do my best to understand the nuances of what Nolan wanted to achieve. What I love about his films are the subtle messages through numerous clues. I think this is why I love The Man in the High Castle so much – with every viewing I learn something more. While there’s no question that all our respective streaming channels are being put to excellent use, sadly the theatrical industry is struggling. Although Tenet did its best to bring audiences back to theaters in the United States, there simply wasn’t enough studio content to keep audiences coming back. When Regal announced the closure of all their operations in the United States, others like AMC and some smaller chains have vowed to stay open with some innovative marketing.
Award Winners: Past Festivals
Sherry is, perhaps, everyone’s favorite; Indian Country’s best known East Coast Chef. As a child, Sherry was taught to harvest and eat by Seasonality. The Wampanoag New Year starts in the Spring, a time to give thanks to the first greens of the season from fiddlehead ferns to dandelion greens. This was the time when the herring came up the river, and other fish to follow were striped bass and bluefish from the ocean.
Author: Billie Anne Grigg